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{{Award-winning Turlock Dental Care remodel featuring Silestone}}

Case Study

Award-winning Turlock Dental Care remodel featuring Silestone

API Architects / Wendy Glaister Interiors

Turlock-Dental-Care-4

Location

Turlock, California (USA)

Builder

Barrett Construction

Material

Silestone

Application

Curved countertop, checkout area

Photography

Mark Verschelden

Architecture / Design

API Architects / Wendy Glaister Interiors

Lighting Designer

Carrie Arnold Design

Color

Calacatta Gold

End date

2022

Turlock Dental Care is a small family business with a big mission: to take care of and help people, whether it be their staff, patients, community members, or people in need by way of their mission trips and support. They moved into a new building on the corner of Monte Vista and Colorado in Turlock, California and remodeled it in order to service even more people.

The prestigious American Society of Interior Designers (ASID) named this project the 2022 Best Commercial Space, and it is no surprise why. The family wanted to create a feeling of calmness within the space, and Wendy Glaister of Wendy Glaister Interiors was the perfect person for the job. She carefully selected every material with this goal in mind, including Silestone countertops complemented by the interesting lighting design by Carrie Arnold.

Silestone’s sustainability, a selling point

Wendy has worked with Silestone for many years and she knew it was the perfect solution for this luxury office. She specified the iconic Silestone Calacatta Gold for the countertop on the curved reception desk and check-out area. Silestone is a beautiful, low-maintenance material that will keep its look and feel for years and years to come. Calacatta Gold is a timeless color inspired by the most beautiful natural marbles in the world.

Another selling point was Silestone’s sustainability. The material is manufactured with Hybriq and Hybriq+ Technology, composed of a premium blend of high-performance minerals and recycled materials. Additionally, Silestone is manufactured with 100% renewable electric energy, 99% recycled and reused water, and produces zero liquid discharge.

Turlock Dental Care is a family owned and operated business, and so is Cosentino. Both companies share similar values, which make this collaboration all the more special and meaningful.

Cosentino’s materials used in this project

Calacatta-Gold-silestone-136x136-1

Et Calacatta Gold

Silestone

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{{Nine Cosentino colours for the luxurious Grand Velas Boutique Hotel Los Cabos}}

Case Study

Nine Cosentino colours for the luxurious Grand Velas Boutique Hotel Los Cabos

Ricardo Elías / Ernesto Vela and Melín Castro

Image 50 of Hotel Grand Velas 24.jpg?auto=format%2Ccompress&ixlib=php 3.3 in Nine Cosentino colours for the luxurious Grand Velas Boutique Hotel Los Cabos - Cosentino

Location

San José del Cabo, Baja California Sur (Mexico)

Fitter

Grand Velas staff

Material

Dekton | Silestone

Aplication

Lobby interior façade, flooring and recessed ceiling lighting, terrace flooring, worktops, table tops

Quantity

4,500 m2

Architecture / Design

Ricardo Elías / Ernesto Vela and Melín Castro

Distributor

Muro di Pietra (Icon Stone)

Color

Marmorio, Liquid Shell 22, Morpheus, Lunar 22, Aeris, Laos, Albarium 22, Soke | Camden

Thickness

4 mm, 8 mm, 12 mm, 20 mm

End date

2023

Located on the beautiful Riviera Nayarit, an internationally renowned tourist destination, Grand Velas Boutique Hotel Los Cabos enjoys a beachfront location. The hotel features 79 rooms and offers first-class service worthy of its 5 stars, including a luxurious infinity swimming pool, a renowned spa and an excellent restaurant run by a 2 Michelin-starred chef.

The hotel’s décor exudes an air of relaxed exclusivity through the use of light tones, organic shapes, natural materials and the power of textures used throughout. Among the materials used are Dekton and Silestone, which can be found from the walls to the floors, ceilings and even the worktops.

Dekton Marmorio, a natural and elegant shade perfect for beach environments

The hotel’s large lobby is clad in Dekton Tk06 Marmorio, one of the hotel’s flagship colours. Inspired by Travertino Navona, a natural stone quarried near Tivoli, east of Rome, its porous, light coloured striped structure gives the space an elegant, bright and lightweight character.

In fact, this colour is part of the Pietra Kode collection, which decodes ancient Italian stones to adapt them to the needs of contemporary architecture. Therefore, as with any other Dekton colour, it is very easy to clean (a damp cloth is all that is needed) and is resistant to fire, water, frost, thawing, stains, impacts, scratches…

In fact, “the durability and maintenance-free nature of the material” were two of the reasons that led architect Ricardo Elías and designers Ernesto Vela and Melín Castro to use Dekton in the hotel. Aesthetics also played a key role in the decision: “The Pietra Kode collection fits in perfectly with the hotel’s concept, especially the Marmorio colour, which is inspired by natural stone and exudes timelessness with its shades that evoke elegance and beach environments,” they say.

Eight Dekton colours and one Silestone colour for the hotel’s decoration

All these advantages led to the use of other Dekton colours in addition to Marmorio. For example, Dekton Liquid Shell, a colour born from the collaboration between Cosentino’s design team and Patternity, a London-based design studio specialising in motifs and patterns, was used on the restaurant’s breakfast island. This colour features an off-white shade with cream nuances and a change in brightness that occurs on its surface as a result of its colour pattern, which is perfectly suited to the luxurious and relaxed coastal atmosphere of the hotel.

Meanwhile, Dekton Lunar, a discreet reinterpretation of conventional cement, was used on some of the tables in one of the restaurants, while the charismatic Dekton Morpheus, with its many nuances, reflections and flashes of colour in the form of veins crossing a white surface, was used on other tables and in some architectural details of the swimming pool bar.

Last but not least, Dekton Albarium and Dekton Soke, both with the Grip+ finish (an innovative and advanced anti-slip treatment) were used on a number of floors, while other surfaces were clad in the beautiful and sober Dekton Laos.

A matter of trust

Alongside Dekton, Silestone was another of the surfaces used for the hotel’s cladding. Specifically, the matt grey shade of Silestone Camden was used to define the space between the terrace and the planters.

This extensive use of colours and products was based not only on aesthetics, but also on the trust that the hotel’s designers placed in Cosentino. “Trust is the most important factor when relying on Cosentino. Cosentino and Grand Velas are both companies with shared visions and values and with a long-standing close relationship,” concludes the design team at Grand Velas Boutique Los Cabos.

Cosentino’s materials used in this project

laos-136x136

Laos

DEKTON
albarium

Albarium 22

DEKTON
Soke-2

Soke

DEKTON
Candem

Camden

Silestone
Dekton Marmorio

Marmorio

DEKTON
dekton liquid shell

Liquid Shell 22

DEKTON
DEKTON MORPHEUS

Morpheus

DEKTON
lunar_close_up-2

Lunar

DEKTON
dekton aeris

Aeris

DEKTON

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Image 66 of 4 Studio Power 3Z7A6355.jpg?auto=format%2Ccompress&fit=crop&ixlib=php 3.3 in {{The architectural firm Studio Power chooses Dekton and Silestone’s sustainable surfaces for its office}} - Cosentino

{{The architectural firm Studio Power chooses Dekton and Silestone’s sustainable surfaces for its office}}

Case Study

The architectural firm Studio Power chooses Dekton and Silestone’s sustainable surfaces for its office

Studio Power

Image 67 of 4 Studio Power 3Z7A6355.jpg?auto=format%2Ccompress&ixlib=php 3.3 in The architectural firm Studio Power chooses Dekton and Silestone’s sustainable surfaces for its office - Cosentino

Location

United Kingdom

Material

Silestone | Dekton

Application

Worktop, flooring, front

End date

2022

Architecture / Design

Studio Power

Color

Silestone Arcilla Red | Dekton Eter

Thickness

12 mm | 20 mm

Multidisciplinary architectural firm Studio Power chose Silestone Arcilla Red, a colour from the Sunlit Days collection (a carbon neutral collection), for the freestanding island and matching floor of its office in Salford. The studio also chose Dekton Eter for the work surfaces and the front of the kitchen area.

“We went through several materials during the design process and felt that the warmth, simplicity and serenity of Silestone Arcilla Red were perfect for the studio island. We have always longed for a sculptural piece, and with Arcilla Red we have achieved it! As for Dekton Eter, it was beautifully combined with matt dark grey kitchen units to achieve a consistent, single-colour backdrop that allows the Arcilla Red piece to shine in all its splendour”, says Jyh Lee, architect at Studio Power.

Silestone Arcilla Red, a sustainable and low maintenance colour for the worktop and floor

Studio Power chose Silestone Arcilla Red for both the kitchen island and the floor area underneath it. The island features a thickness of 12 mm, while the floor is 20 mm. This carbon neutral material is made from 20% recycled materials and is a fully sustainable choice. This colour from the Sunlit Days collection is a deep, earthy red shade that brings warmth and a striking look to the open plan space.

Silestone’s innovative Hybriq+ technology provides a top quality hybrid surface made of minerals, quartz and recycled materials that ensures minimal maintenance and high resistance to scratches and stains, making it the perfect choice for this busy studio.

Eter, a grey shade that showcases the great versatility and durability of Dekton

The material chosen for the work surfaces in the kitchen area was 12 mm Dekton Eter slabs, while 8 mm thickness was chosen for the fronts. Manufactured by Bolton-based Signature Splashbacks, this innovative ultra-compact surface is composed of a mixture of more than 20 minerals extracted from nature. This material is extremely resistant to scratches, stains, heat and fire, and its use in these applications is proof of its strength and versatility. Its use is suitable for residential projects on all scales, whether for kitchen or bathroom worktops, wall cladding or even façades, flooring, furniture or shower trays, to name but a few.

Just like the Sunlit Days collection by Silestone, Dekton is also a carbon neutral material that combines sustainability with safety and energy efficiency. In fact, Dekton is LEED and BREEAM certified for environmental and sustainable design, and has the highest fire resistance classification. Last but not least, Dekton Eter, a colour from the Natural collection, features a stunning background in shades of black and grey and a contemporary look that is perfect for the studio kitchen area.

Cosentino’s materials used in this project

Arcilla Red

Arcilla Red

Silestone
Eter

Eter

DEKTON

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{{Large windows and a simple concept where Dekton and Silestone are the key players}}

Top Homes

Large windows and a simple concept where Dekton and Silestone are the key players

Facundo Priotti, Julieta Alaniz

Image 85 of Fideastower PHLAUKALBER 5.jpg?auto=format%2Ccompress&ixlib=php 3.3 in Large windows and a simple concept where Dekton and Silestone are the key players - Cosentino

Location

Córdoba (Argentina)

Fabricator

Mármoles Colón

Material

Dekton | Silestone

Aplication

Kitchen worktops and splashback, table, bathroom countertop

End date

2023

Architecture / Design

Facundo Priotti, Julieta Alaniz

Distributor

Canteras del Mundo

Color

Aura 22, Laurent | Night Tebas

Thickness

8 mm, 12 mm, 20 mm

Architects Facundo Priotti and Julieta Alaniz knew that the large windows would be the defining feature of this house of more than 7,700 square metres: “The most interesting aspect of the project is its organic contemporary style, which focuses on the relationship between the inside and the outside, and where the large windows give the different rooms a feeling of spaciousness thanks to the views they provide. Functionality is a key feature of the project and the colours used are neutral, between black and white, creating contrasts that are balanced by the warmth of the wood. It was decided that there would be little decoration in the rooms, so the materials and natural light were the stars. The quality of all the materials used is noticeable and appreciated.”

The abundance of natural light and open spaces made it possible to use dark colours in rooms where they are not normally used, such as the kitchen, living room and bathrooms. But this project allowed it, and it added a very sophisticated touch to the whole.

Elegant and powerful spaces

The kitchens are spectacular, with a double line consisting of a work area and a peninsula, while the bathrooms are powerful and elegant spaces dominated by the colour black and featuring Silestone Night Tebas, Dekton Laurent and Dekton Aura 22. “Cosentino materials were chosen for their sustainability features, quality finishes and respect for the end product. These are materials with high hardness, low absorption and wear, high durability and, of course, great aesthetics. And the choice of colours was based on their combination with the furniture, the choice of flooring and their timelessness.”

With this in mind, the choice fell on Silestone Night Tebas, a pure, captivating, veinless black that is spotless, flawless and shiny thanks to N-Boost technology. In contrast, paying homage to Calacatta and Carrara marbles, the character of Dekton Aura 22 speaks for itself, with its white background crossed by veins reminiscent of these two natural stones. Meanwhile, inspired by the natural stone Port Laurent, Dekton Laurent has a surface texture that creates a play of shades that enhances the contrast of its tones, while its golden veins dominate the space and bring warmth to its dark, cold background, which gives depth to the whole.

According to the architects, “the matt surface and the aesthetics they provide added value to the whole, while their hardness and durability over time, as well as their low absorption rate, guarantee high-quality products that require little maintenance over time.”

Cosentino’s materials used in this project

dekton aura

Aura 22

DEKTON
Laurent-136x136-1

Laurent

DEKTON
Negro-Tebas-136x136

Night Tebas

Silestone

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Image 101 of superloos 3.jpg?auto=format%2Ccompress&fit=crop&ixlib=php 3.3 in {{Sustainable washbasins in Mediterranean colours and modern design for the groundbreaking Superloo bathrooms}} - Cosentino

{{Sustainable washbasins in Mediterranean colours and modern design for the groundbreaking Superloo bathrooms}}

Case Study

Sustainable washbasins in Mediterranean colours and modern design for the groundbreaking Superloo bathrooms

Concept Cubicle Systems

Image 102 of superloos 3.jpg?auto=format%2Ccompress&ixlib=php 3.3 in Sustainable washbasins in Mediterranean colours and modern design for the groundbreaking Superloo bathrooms - Cosentino

Location

Manchester (United Kingdom)

Material

Silestone

Application

Bathroom Sink

Architecture / Design

Concept Cubicle Systems

Color

Arcilla Red, Cala Blue, Posidonia Green

“According to the latest trends, integrated washbasins are becoming an increasingly popular choice when it comes to contemporary bathroom design. In this regard, Concept Cubicle Systems offers multiple washbasin options, including an elegant drainage system, facing front, side or centre”, explains the renowned Manchester-based Material Source Studio.

It is precisely there, in the Superloo installation, where it is possible to see some of the new models from the Sunlit Days Vanities collection, a new series of bespoke washbasins in bright trendy colours that has been developed by Concept Cubicle Systems in collaboration with Cosentino.

But, what is Superloo? Developed by Concept Cubicle Systems, Superloo is a self-contained, single-occupancy toilet cubicle that include a toilet, hand-washing and hand-drying facilities. In addition to their striking colours and sleek, modern design, these bathrooms stand out for offering maximum privacy to users in a gender-neutral environment, making them perfect for commercial environments.

Sunlit Days, the most sustainable ultra-compact surface available on the market

Cala Blue, Posidonia Green and Arcilla Red, three Mediterranean-inspired colours of the Sunlit Days by Silestone collection, are the stars of the Superloo washbasins. This Cosentino series is a first carbon neutral collection.

Sustainability is achieved by manufacturing Sunlit Days surfaces with 100% renewable energy and 99% reused water. In addition to this, Cosentino offsets any additional emissions through various UN-backed voluntary offset projects.

Furthermore, the Sunlit Collection is manufactured with Hybriq+ technology, which blends premium minerals and recycled glass to create deeper colours, textures and finishes. Each slab uses a minimum of 20% recycled materials, ensuring that the Sunlit Days collection is a truly environmentally friendly solution.

A fresh, new look thanks to Sunlit Days

Claire Long, interior designer at Concept Cublicle Systems, fell in love with this collection, whose description reads as follows: “Sunlit Days is a journey through light and colour, with a fresh style and Mediterranean tones, inspired by human values and simple and profound ways of living”.

She says: “The rich mineral tones of nature have an impact on the colour selection of the new Sunlit Days collection: Arcilla Red, a striking yet soft earthy red that evokes a warm and welcoming feel. Cala Blue, an elegant and plain blue colour, beautifully soothing and connects us to the earth. And Posidonia Green, exuberant and cheerful; its fresh tone conveys a sense of well-being”, she explains.

Image 106 of superloos 2.jpg?auto=format%2Ccompress&ixlib=php 3.3 in Sustainable washbasins in Mediterranean colours and modern design for the groundbreaking Superloo bathrooms - Cosentino

The washbasins of the future, available today

All these colours have been used in the new cubicles, designed by Concept Cubicle Systems and custom-built to customer requirements using advanced manufacturing techniques. This has resulted in sleek, minimalist, modern, ultra-hygienic, easy-to-clean, one-piece integrated washbasins that, according to their creators, are ideal for retail, commercial and residential projects alike.

“Our Sunlit Days Vanities collection, developed in collaboration with Cosentino, is the culmination of a myriad of advantages in form and function, and has been designed to meet the practical and design needs of the contemporary bathroom environment, here, now and in the future”, Concept Cubicle Systems concludes.

Cosentino’s materials used in this project

Arcilla Red

Arcilla Red

Silestone
CUE-fullslab

Cala Blue

Silestone
Posidonia_green

Posidonia Green

Silestone

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{{Dekton and Silestone take centre stage in a residential complex that marks a milestone in new residential developments in Argentina}}

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Dekton and Silestone take centre stage in a residential complex that marks a milestone in new residential developments in Argentina

María del Pilar Egea / María Andrea Egea

Image 125 of 115 Saint Jordi Depto Modelo ph gonzaloviramonte 4800 22 10 2022 HDR.jpg?auto=format%2Ccompress&ixlib=php 3.3 in Dekton and Silestone take centre stage in a residential complex that marks a milestone in new residential developments in Argentina - Cosentino

Location

Córdoba (Argentina)

Material

Dekton | Silestone

Application

Floor and wall cladding, kitchen and bathroom worktops

Photography

Gonzalo Viramonte

Architecture / Design

María del Pilar Egea / María Andrea Egea

Color

Kairos, Kelya, Keon, Danae | Blanco Norte, Arcilla Red, Stellar Blanco, Tebas Black, Lyra, Marengo

Thickness

8 mm | 20 mm

‘It would be very difficult to choose a particular distinctive feature of Saint Jordi: it is a really special project, designed in detail and with unique characteristics,’ admit María del Pilar and María Andrea Egea, the sister-architect duo in charge of this residential development in the Villa Belgrano neighbourhood, Argentina. ‘The environment, the chance to live surrounded by nature, the design, the quality, the technology... there are so many elements in this project where we have put so much effort and dedication.’

According to the Egea sisters, the main aim of Saint Jordi was to create a ‘lifestyle’ that would allow the new inhabitants to live their daily lives in spaces fully connected to the green outdoors, with all the comforts offered by the latest innovations.

‘Saint Jordi is synonymous with sophistication, elegance, quality and technology. That is why we went for Dekton and Silestone: Cosentino materials convey the essence of the project. We also like how versatile and aesthetically pleasing they are,’ the professionals summarise.

So much so that the Egea sisters have used Cosentino surfaces for countless applications in Saint Jordi: floor and wall cladding, kitchen and bathroom worktops, etc.

Cosentino, the star of the exclusive Saint Jordi show flat

The flooring in the common areas of the show flat is made from a Cosentino surface. More specifically, Dekton Keon has been used, a light and bright colour that gives a natural look to modern environments such as this one. The same floor also runs along the terrace, in this case, featuring Grip+, a non-slip treatment that prevents falling and slipping.

For the kitchen worktop and front, with its clean lines and right angles, Silestone Blanco Norte has been chosen, a cold, neutral tone inspired by the blizzard of the polar air, in the whitest of winters.

The dining table is also made from a Cosentino surface, in this case in a stylish and bright colour.

Sophistication in modern bathroom surfaces

Three separate bathrooms have also been designed for the show flat, each with a similar clean, contemporary style. In the first bathroom, which includes a shower, Silestone Stellar Blanco has been used for the countertop, a textured neutral tone with a high gloss finish.

Secondly, in the cubic and sculptural bathroom, we can find a Silestone Lyra washbasin. With a wide range of grey, brown and beige tones on a white background reminiscent of the moon’s surface, this square piece is placed on a flawless and shiny Tebas Black countertop, free of impurities and veins.

In the third bathroom, the largest and most sophisticated, the floor is made from Dekton Kairos, which, with its fine pale grey veins on a luminous background, resembles one of the whitest marbles on the market, statuary marble. This is combined in a very innovative way with a Dekton Kelya plinth, inspired by dark marble with light veins and perfect for creating the most special atmospheres.

As in the previous case, the countertop is also in Silestone Tebas Black, with built-in washbasin. Finally, the front is clad in Silestone Blanco Norte, which offers an interesting match with the tone selected for the kitchen.

Dekton and Silestone, the ideal solution for functional, aesthetic and hard-wearing floor and wall cladding

In the other spaces of Saint Jordi, Cosentino surfaces have also been widely used by the architects, for example for the floor and wall cladding in the common areas and the lifts. But not only there: ‘In the multi-purpose social area we chose Silestone Arcilla Red, a colour that allowed us to add a touch of originality and contemporaneity to this space,’ continue the architects of the project, referring to one of the most fashionable tones of the season.

‘Saint Jordi is a landmark project: it marks a milestone in the development of this type of residential complex in the city. It has unique features that will be very difficult to replicate, both in human and material terms. It is an unprecedented undertaking,’ conclude the Egea sisters. In the context of this unparalleled work, the architects stand out: ‘The functionality, durability, quality and technology of Dekton and Silestone is what makes them the best to offer our customers.’

Cosentino’s materials used in this project

kairos_dekton-1-136x136

Kairos

DEKTON
kelya-1

Kelya

DEKTON
Keon-Dekton

Keon

DEKTON
danae-dekton-1-136x136 (1)

Danae

DEKTON
White North

Blanco Norte

Silestone
Stellar Blanco

Stellar Blanco

Silestone
Negro-Tebas-136x136

Tebas Black

Silestone
Arcilla Red

Arcilla Red

Silestone
silestone-lyra-136x136

Lyra

Silestone
silestone marengo

Marengo

Silestone

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Formafantasma

C·Top Design

Formafantasma

Designers

Image 151 of Seleccion Formafantasma 12 Retocada scaled.jpg?auto=format%2Ccompress&ixlib=php 3.3 in Formafantasma - Cosentino
“When we started working with Cosentino, we immediately connected because we shared the vision that it’s much more about understanding the processes involved.”

Andrea Trimarchi (born in 1983) and Simone Farresin (born in 1980) are the precocious minds behind Milan-based design studio Formafantasma, renowned for their innovative approach and commitment to challenging the conventions of design, particularly in terms of sustainability. Since founding the studio in 2009, the Italian duo have taken their groundbreaking vision beyond borders, becoming synonymous with design that transcends conventional aesthetics and prioritises the processes behind its creation.

Image 152 of Seleccion Formafantasma 11 Retocada scaled.jpg?auto=format%2Ccompress&ixlib=php 3.3 in Formafantasma - Cosentino
Andrea Trimarchi (left) and Simone Farresin at the Cosentino headquarters

Holistic approach

Their design philosophy emphasizes the importance of materials and processes over the final product. This ethos is evident not only in the studio’s name, but in every project they undertake. Trained at the Istituto Superiore per le Industrie Artistiche (ISIA) in Florence and then at the Design Academy Eindhoven, Trimarchi and Farresin have adopted a holistic approach that sees design as a means of understanding the world through research.

Challenging convention

Formafantasma’s work continues to challenge convention and explore new realms and possibilities within product design, spatial projects, strategic planning and consultancy. With a particular focus on sustainability, the studio has adopted an approach that encompasses the entire lifecycle of the product, from the sourcing of materials to the end of its useful life, championing the beauty and unpredictability of the creative process over mere aesthetics.

Beyond aesthetics

When we set out to design a material, whether for kitchens or for other architectural purposes, we find it fascinating not only to consider the aesthetics, but also to delve deeper into its components. Working closely with our clients, we explore how the material nature of the object itself can be enhanced.

Designing for the future

Designers have a crucial role to play in innovating to address the current climate crisis. We need to initiate new processes. It is not just about providing beauty, but also content, revolutionizing with more radical ideas and rethinking production processes.

Form with substance

One of the biggest challenges we face as professional designers is the common misconception among clients that the design process is all about style, form or just aesthetics. Fortunately, when we started working with Cosentino, we immediately connected because we shared the vision that it’s much more about understanding the processes involved in developing the material than just focusing on the aesthetics.

Meaningful partnerships

There are always personal reasons for working with a partner; it is not just about a financial agreement, but also about what you discover when you get to know their reality. When we traveled to Spain to visit the Cosentino factory, we were surprised by the number of young people working in the company and realized that Cosentino cares about the local economy and that it is vital to the people who live there. This fact made us naturally inclined to working with them in a way we may not have been had we not witnessed it first-hand. When you work with a company like Cosentino, you know that you have to get involved in the production process, and that obviously includes getting to know the many people who work there, in addition to understanding the constraints and opportunities of the production process.
Seleccion Formafantasma_10
Seleccion Formafantasma_6

The keys to Earthic

Earthic is a highly engineered surface which has allowed us to understand how we can incorporate different types of recycled materials; up to 30% of the final product. The first step was to thoroughly understand all the components and identify ways to improve their impact. For example, while the use of white is common in such processes, adding more white increases CO2 emissions during manufacturing. This is why we use different shades of gray.

Earthic and its components

The amount of material extracted from the earth is critical for this type of surface. We use three main components to make Earthic. Firstly, factory waste, which has added value because it is directly linked to its place of origin. Second, recycled glass. Finally, PET, made from plastic bottle waste, completes the trio of materials.

A good result thanks to a good working relationship

The relationship we built with the development team was very positive. The development process is a bit like baking a cake, where the flour eventually becomes a solid material. That is why it is important to have a good working relationship with the technical team.
Image 153 of 240413 OMAR COSENTINO 057 1 scaled.jpg?auto=format%2Ccompress&ixlib=php 3.3 in Formafantasma - Cosentino

Earthic Lab: Bringing the invisible onto the stage

For us, the Earthic Lab is the perfect way to present the innovation we have introduced with this new surface, the materials we have used, and to make it all transparent to visitors. Since we are in a theater, we wanted to bring onto the stage the different components and processes that led us to the final result, so that visitors could also see the invisible. It is not just about the aesthetics of the slab, but also what is behind it. It is an immersive installation that provides the most authentic information.

How the Earthic Lab installation works

Naturally, the aesthetic is in keeping with Cosentino’s origins, resonating with its desert setting. The installation has integrated this lunar aesthetic into the theater space. In Earthic Lab, we have used a variety of media, including video and sound, to ensure that the content is communicated effectively. It is also worth noting how we have strategically divided the content into different levels, taking advantage of the different heights of the theater. Each level is dedicated to one of the primary materials that make up the slab.
240413_OMAR-COSENTINO-1115
240413_OMAR-COSENTINO-786
240413_OMAR-COSENTINO-1006
Image 154 of 240413 OMAR COSENTINO 515 scaled.jpg?auto=format%2Ccompress&ixlib=php 3.3 in Formafantasma - Cosentino
Earthic Lab by Formafantasma for Fuorisalone
“Designers have a crucial role to play in innovating to address the current climate crisis. We need to initiate new processes.”
Formafantasma

Formafantasma

Designers

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Formafantasma

C·Top Design

Formafantasma

Designers

Image 156 of Seleccion Formafantasma 12 Retocada scaled.jpg?auto=format%2Ccompress&ixlib=php 3.3 in Formafantasma - Cosentino
“When we started working with Cosentino, we immediately connected because we shared the vision that it’s much more about understanding the processes involved.”

Andrea Trimarchi (born in 1983) and Simone Farresin (born in 1980) are the precocious minds behind Milan-based design studio Formafantasma, renowned for their innovative approach and commitment to challenging the conventions of design, particularly in terms of sustainability. Since founding the studio in 2009, the Italian duo have taken their groundbreaking vision beyond borders, becoming synonymous with design that transcends conventional aesthetics and prioritises the processes behind its creation.

Image 157 of Seleccion Formafantasma 11 Retocada scaled.jpg?auto=format%2Ccompress&ixlib=php 3.3 in Formafantasma - Cosentino
Andrea Trimarchi (left) and Simone Farresin at the Cosentino headquarters

Holistic approach

Their design philosophy emphasizes the importance of materials and processes over the final product. This ethos is evident not only in the studio’s name, but in every project they undertake. Trained at the Istituto Superiore per le Industrie Artistiche (ISIA) in Florence and then at the Design Academy Eindhoven, Trimarchi and Farresin have adopted a holistic approach that sees design as a means of understanding the world through research.

Challenging convention

Formafantasma’s work continues to challenge convention and explore new realms and possibilities within product design, spatial projects, strategic planning and consultancy. With a particular focus on sustainability, the studio has adopted an approach that encompasses the entire lifecycle of the product, from the sourcing of materials to the end of its useful life, championing the beauty and unpredictability of the creative process over mere aesthetics.

Beyond aesthetics

When we set out to design a material, whether for kitchens or for other architectural purposes, we find it fascinating not only to consider the aesthetics, but also to delve deeper into its components. Working closely with our clients, we explore how the material nature of the object itself can be enhanced.

Designing for the future

Designers have a crucial role to play in innovating to address the current climate crisis. We need to initiate new processes. It is not just about providing beauty, but also content, revolutionizing with more radical ideas and rethinking production processes.

Form with substance

One of the biggest challenges we face as professional designers is the common misconception among clients that the design process is all about style, form or just aesthetics. Fortunately, when we started working with Cosentino, we immediately connected because we shared the vision that it’s much more about understanding the processes involved in developing the material than just focusing on the aesthetics.

Meaningful partnerships

There are always personal reasons for working with a partner; it is not just about a financial agreement, but also about what you discover when you get to know their reality. When we traveled to Spain to visit the Cosentino factory, we were surprised by the number of young people working in the company and realized that Cosentino cares about the local economy and that it is vital to the people who live there. This fact made us naturally inclined to working with them in a way we may not have been had we not witnessed it first-hand. When you work with a company like Cosentino, you know that you have to get involved in the production process, and that obviously includes getting to know the many people who work there, in addition to understanding the constraints and opportunities of the production process.
Seleccion Formafantasma_10
Seleccion Formafantasma_6

The keys to Earthic

Earthic is a highly engineered surface which has allowed us to understand how we can incorporate different types of recycled materials; up to 30% of the final product. The first step was to thoroughly understand all the components and identify ways to improve their impact. For example, while the use of white is common in such processes, adding more white increases CO2 emissions during manufacturing. This is why we use different shades of gray.

Earthic and its components

The amount of material extracted from the earth is critical for this type of surface. We use three main components to make Earthic. Firstly, factory waste, which has added value because it is directly linked to its place of origin. Second, recycled glass. Finally, PET, made from plastic bottle waste, completes the trio of materials.

A good result thanks to a good working relationship

The relationship we built with the development team was very positive. The development process is a bit like baking a cake, where the flour eventually becomes a solid material. That is why it is important to have a good working relationship with the technical team.
Image 158 of 240413 OMAR COSENTINO 057 1 scaled.jpg?auto=format%2Ccompress&ixlib=php 3.3 in Formafantasma - Cosentino

Earthic Lab: Bringing the invisible onto the stage

For us, the Earthic Lab is the perfect way to present the innovation we have introduced with this new surface, the materials we have used, and to make it all transparent to visitors. Since we are in a theater, we wanted to bring onto the stage the different components and processes that led us to the final result, so that visitors could also see the invisible. It is not just about the aesthetics of the slab, but also what is behind it. It is an immersive installation that provides the most authentic information.

How the Earthic Lab installation works

Naturally, the aesthetic is in keeping with Cosentino’s origins, resonating with its desert setting. The installation has integrated this lunar aesthetic into the theater space. In Earthic Lab, we have used a variety of media, including video and sound, to ensure that the content is communicated effectively. It is also worth noting how we have strategically divided the content into different levels, taking advantage of the different heights of the theater. Each level is dedicated to one of the primary materials that make up the slab.
240413_OMAR-COSENTINO-1115
240413_OMAR-COSENTINO-786
240413_OMAR-COSENTINO-1006
Image 159 of 240413 OMAR COSENTINO 515 scaled.jpg?auto=format%2Ccompress&ixlib=php 3.3 in Formafantasma - Cosentino
Earthic Lab by Formafantasma for Fuorisalone
“Designers have a crucial role to play in innovating to address the current climate crisis. We need to initiate new processes.”
Formafantasma

Formafantasma

Designers

Regístrate en C·Top Design

Podrás formar parte de nuestra comunidad de diseñadores y acceder a multitud de servicios exclusivos.

Image 160 of Seleccion Formafantasma 12 Retocada 1 scaled.jpg?auto=format%2Ccompress&fit=crop&ixlib=php 3.3 in Formafantasma - Cosentino

Formafantasma

C·Top Design

Formafantasma

Designers

Image 161 of Seleccion Formafantasma 12 Retocada scaled.jpg?auto=format%2Ccompress&ixlib=php 3.3 in Formafantasma - Cosentino
“When we started working with Cosentino, we immediately connected because we shared the vision that it’s much more about understanding the processes involved.”

Andrea Trimarchi (born in 1983) and Simone Farresin (born in 1980) are the precocious minds behind Milan-based design studio Formafantasma, renowned for their innovative approach and commitment to challenging the conventions of design, particularly in terms of sustainability. Since founding the studio in 2009, the Italian duo have taken their groundbreaking vision beyond borders, becoming synonymous with design that transcends conventional aesthetics and prioritises the processes behind its creation.

Image 162 of Seleccion Formafantasma 11 Retocada scaled.jpg?auto=format%2Ccompress&ixlib=php 3.3 in Formafantasma - Cosentino
Andrea Trimarchi (left) and Simone Farresin at the Cosentino headquarters

Holistic approach

Their design philosophy emphasizes the importance of materials and processes over the final product. This ethos is evident not only in the studio’s name, but in every project they undertake. Trained at the Istituto Superiore per le Industrie Artistiche (ISIA) in Florence and then at the Design Academy Eindhoven, Trimarchi and Farresin have adopted a holistic approach that sees design as a means of understanding the world through research.

Challenging convention

Formafantasma’s work continues to challenge convention and explore new realms and possibilities within product design, spatial projects, strategic planning and consultancy. With a particular focus on sustainability, the studio has adopted an approach that encompasses the entire lifecycle of the product, from the sourcing of materials to the end of its useful life, championing the beauty and unpredictability of the creative process over mere aesthetics.

Beyond aesthetics

When we set out to design a material, whether for kitchens or for other architectural purposes, we find it fascinating not only to consider the aesthetics, but also to delve deeper into its components. Working closely with our clients, we explore how the material nature of the object itself can be enhanced.

Designing for the future

Designers have a crucial role to play in innovating to address the current climate crisis. We need to initiate new processes. It is not just about providing beauty, but also content, revolutionizing with more radical ideas and rethinking production processes.

Form with substance

One of the biggest challenges we face as professional designers is the common misconception among clients that the design process is all about style, form or just aesthetics. Fortunately, when we started working with Cosentino, we immediately connected because we shared the vision that it’s much more about understanding the processes involved in developing the material than just focusing on the aesthetics.

Meaningful partnerships

There are always personal reasons for working with a partner; it is not just about a financial agreement, but also about what you discover when you get to know their reality. When we traveled to Spain to visit the Cosentino factory, we were surprised by the number of young people working in the company and realized that Cosentino cares about the local economy and that it is vital to the people who live there. This fact made us naturally inclined to working with them in a way we may not have been had we not witnessed it first-hand. When you work with a company like Cosentino, you know that you have to get involved in the production process, and that obviously includes getting to know the many people who work there, in addition to understanding the constraints and opportunities of the production process.
Seleccion Formafantasma_10
Seleccion Formafantasma_6

The keys to Earthic

Earthic is a highly engineered surface which has allowed us to understand how we can incorporate different types of recycled materials; up to 30% of the final product. The first step was to thoroughly understand all the components and identify ways to improve their impact. For example, while the use of white is common in such processes, adding more white increases CO2 emissions during manufacturing. This is why we use different shades of gray.

Earthic and its components

The amount of material extracted from the earth is critical for this type of surface. We use three main components to make Earthic. Firstly, factory waste, which has added value because it is directly linked to its place of origin. Second, recycled glass. Finally, PET, made from plastic bottle waste, completes the trio of materials.

A good result thanks to a good working relationship

The relationship we built with the development team was very positive. The development process is a bit like baking a cake, where the flour eventually becomes a solid material. That is why it is important to have a good working relationship with the technical team.
Image 163 of 240413 OMAR COSENTINO 057 1 scaled.jpg?auto=format%2Ccompress&ixlib=php 3.3 in Formafantasma - Cosentino

Earthic Lab: Bringing the invisible onto the stage

For us, the Earthic Lab is the perfect way to present the innovation we have introduced with this new surface, the materials we have used, and to make it all transparent to visitors. Since we are in a theater, we wanted to bring onto the stage the different components and processes that led us to the final result, so that visitors could also see the invisible. It is not just about the aesthetics of the slab, but also what is behind it. It is an immersive installation that provides the most authentic information.

How the Earthic Lab installation works

Naturally, the aesthetic is in keeping with Cosentino’s origins, resonating with its desert setting. The installation has integrated this lunar aesthetic into the theater space. In Earthic Lab, we have used a variety of media, including video and sound, to ensure that the content is communicated effectively. It is also worth noting how we have strategically divided the content into different levels, taking advantage of the different heights of the theater. Each level is dedicated to one of the primary materials that make up the slab.
240413_OMAR-COSENTINO-1115
240413_OMAR-COSENTINO-786
240413_OMAR-COSENTINO-1006
Image 164 of 240413 OMAR COSENTINO 515 scaled.jpg?auto=format%2Ccompress&ixlib=php 3.3 in Formafantasma - Cosentino
Earthic Lab by FormaFantasma for Fuorisalone
“Designers have a crucial role to play in innovating to address the current climate crisis. We need to initiate new processes.”
FormaFantasma

FormaFantasma

Designers

Regístrate en C·Top Design

Podrás formar parte de nuestra comunidad de diseñadores y acceder a multitud de servicios exclusivos.